This book traces the patterns of capital accumulation and the changes in class and state formation emanating from it in Iran during the global neoliberal era. It demonstrates how there are inner... Show moreThis book traces the patterns of capital accumulation and the changes in class and state formation emanating from it in Iran during the global neoliberal era. It demonstrates how there are inner connections between the nature of contemporary development in Iran, the form of the state, the ongoing sociopolitical transformations in society and the geopolitical tensions with the West. Simultaneously, it highlights that these issues should be explored in terms of their internal relations to the motions and tendencies of neoliberal global capitalism and resulting geopolitics. Accordingly, the book demonstrates that Iranian neoliberalisation has brought about new contested class dynamics that have fundamentally reconstructed the Iranian ruling class, aggressively shaped and reshaped the working class and the poor, and drastically impacted the state form and its foreign policy. Show less
Between 1848 and 1914 around 5,800 Swiss Mercenaries enlisted in the Dutch Colonial Army (KNIL) to fight in the Dutch East Indies (present-day Indonesia). Following the traces of these mercenaries... Show moreBetween 1848 and 1914 around 5,800 Swiss Mercenaries enlisted in the Dutch Colonial Army (KNIL) to fight in the Dutch East Indies (present-day Indonesia). Following the traces of these mercenaries beyond the confines of the Dutch Empire, this book elucidates the complexities of the nineteenth-century military labour markets and provides an intricate examination of the mercenaries’ socio-cultural backgrounds, their motives, and their engagement with local communities and authorities. In doing so, it reveals the profound effects of colonialism not only on the colonies themselves, but also on the social, economic and cultural landscape of the European hinterland. Show less
This new English translation of Huizinga’s 'Autumntide of the Middle Ages' ('Herfsttij der Middeleeuwen') celebrates the centenary of a book that still ranks as one of the most perceptive and... Show moreThis new English translation of Huizinga’s 'Autumntide of the Middle Ages' ('Herfsttij der Middeleeuwen') celebrates the centenary of a book that still ranks as one of the most perceptive and influential analyses of the late medieval period. Its wide-ranging discussion of fourteenth and fifteenth century France and the Low Countries makes it a classic study of life, culture, and thought in medieval society. The new and now unabridged translation of the original text captures the impact of Huizinga’s deep scholarship and powerful language. The translation is based on the Dutch edition of 1941 – the last edition Huizinga worked on. It features English renderings of the Middle French poems and other contemporary sources, and its colour illustrations include over three hundred paintings and prints, illuminated manuscripts, and miniatures pertinent to Huizinga’s discourse. A complete bibliography of Huizinga’s sources will facilitate further research, while an epilogue addresses the meaning and enduring importance of this classic work. Show less
During funerals of nobles in the Kuba kingdom (Democratic Republic of Congo), visitors used to theatrically offer so-called bongotols to the deceased and the mourning family. These highly... Show moreDuring funerals of nobles in the Kuba kingdom (Democratic Republic of Congo), visitors used to theatrically offer so-called bongotols to the deceased and the mourning family. These highly appreciated valuables were either positioned under the corpse to support it or displayed on top of it.In addition to their religious meanings they also displayed the status and wealth of both givers and takers. Visitors would receive similar items in return. Afterwards the bongotols were stashed until, on occasion of a next burial, they would continue their cycles of gift and counter gift among the titled Kuba aristocracy. Death and display brings ethnographic research and archival sources to bear on these intriguing heirlooms. Their rich iconography offers a kaleidoscope of traditional Kuba sociality, cosmology and ritual. Show less
The Renaissance Battle for Rome examines the rhetorical battle fought simultaneously between a wide variety of parties (individuals, groups, authorities) seeking prestige or legitimacy through the... Show moreThe Renaissance Battle for Rome examines the rhetorical battle fought simultaneously between a wide variety of parties (individuals, groups, authorities) seeking prestige or legitimacy through the legacy of ancient Rome—a battle over the question of whose claims to this legacy were most legitimate. Distinguishing four domains—power, morality, cityscape and literature—in which ancient Rome represented a particularly powerful example, this book traces the contours of this rhetorical battle across Renaissance Europe, based on a broad selection of Humanist Latin Poetry. It shows how humanist poets negotiated different claims on behalf of others and themselves in their work, acting both as "spin doctors" and "new Romans", while also undermining competing claims to this same idealized past. By so doing this book not only offers a new understanding of several aspects of the Renaissance that are usually considered separately, but ultimately allows us to understand Renaissance culture as a constant negotiation between appropriating and contesting the idea and ideal of "Rome." Show less
The Egyptian hieroglyphic script was exceptionally versatile, as becomes clear when studying its multiple uses both within Ancient Egypt and beyond its borders. Even the few cases discussed in this... Show moreThe Egyptian hieroglyphic script was exceptionally versatile, as becomes clear when studying its multiple uses both within Ancient Egypt and beyond its borders. Even the few cases discussed in this booklet demonstrate that in the ancient world hieroglyphs appealed to a wide readership, which ranged from highly accomplished scribes, artists and priests, to semi-literate workmen, as well as to speakers of non-Egyptian languages. Creative processes within these different groups resulted in very different adaptations of regular hieroglyphic writing: highly specialized enigmatic compositions, less informed ad hoc orthographies, isolated uses of hieroglyphs as marks and emblems, and the development of new writing systems. Important reasons for the wide appeal and deep impact of hieroglyphic writing are the iconicity and cultural messages of its individual signs on the one hand, and its remarkable semiotic strategies in rendering human language on the other. Show less
Contrary to what Kant believed about the Dutch (and their visual culture) as “being of an orderly and diligent position” and thus having no feeling for the sublime, this book argues that the... Show moreContrary to what Kant believed about the Dutch (and their visual culture) as “being of an orderly and diligent position” and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual and decorative art, architecture, and theater.By looking at different visualizations of exceptional heights, divine presence, overwhelming natural phenomena, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order.The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history. Show less
This book closely analyses the rise and fall of Louis XIV's marine insurance institutions in Paris, which were central to the French monarchy's efforts to stimulate commerce, colonial enterprise... Show moreThis book closely analyses the rise and fall of Louis XIV's marine insurance institutions in Paris, which were central to the French monarchy's efforts to stimulate commerce, colonial enterprise and economic growth. These institutions were the projects of two leading ministers, Jean-Baptiste Colbert and his son, the Marquis de Seignelay. While both men recognised that marine insurance was crucial for protecting commercial investment in French maritime endeavours, Colbert looked to private enterprise to lure capital away from passive investments in state debt towards the marine insurance industry. Seignelay, by contrast, leveraged the tools of privilege on which the French economy was built by creating the first chartered company in the history of marine insurance. In exploring the global insurance portfolios of the men and women who joined these institutions - and the conflicts that arose when maritime incidents came into dispute - the book identifies the absolute monarchy itself as the source of the institutions' struggles. While the markets of Amsterdam and London thrived in the long run, Parisian insurers were made to bear the burden of maritime and colonial losses during Louis XIV's costly wars to make up for the state's inadequate protection of French shipping, the French Atlantic empire and the Parisian market. This encapsulates, the book argues, the overarching system of risk management that lay at the heart of absolutism itself. Show less
The U.S. government, military, and industry once saw ocean incineration as the safest and most efficient way to dispose of hazardous chemical waste. Beginning in the late 1960s, toxic chemicals... Show moreThe U.S. government, military, and industry once saw ocean incineration as the safest and most efficient way to dispose of hazardous chemical waste. Beginning in the late 1960s, toxic chemicals such as PCBs and other harmful industrial byproducts were taken out to sea to be destroyed in specially designed ships equipped with high-temperature combustion chambers and smokestacks. But public outcry arose after the environmental and health risks of ocean incineration were exposed, and the practice was banned in the early 1990s.Smoke on the Water traces the rise and fall of ocean incineration, showing how a transnational environmental movement tested the limits of U.S. political and economic power. Dario Fazzi examines the anti-ocean-incineration movement that emerged on both sides of the Atlantic, arguing that it succeeded by merging local advocacy with international mobilization. He emphasizes the role played at the grassroots level by women, migrant workers, and other underrepresented groups who were at greatest risk. Environmental groups, for their part, gathered and shared evidence about the harms of at-sea incineration, building scientific consensus and influencing international debates.Smoke on the Water tells the compelling story of a campaign against environmental degradation in which people from marginalized communities took on the might of the U.S. military-industrial complex. It offers new insights into the transnational dimensions of environmental regulation, the significance of nonstate actors in international history, and the making of environmental justice movements. Show less
In 1978, UNESCO Secretary General Amadou-Mahtar M’Bow compared cultural colonial objects to ‘witnesses to history’. Their treatment is one of the most debated questions of our time. Calls for a... Show moreIn 1978, UNESCO Secretary General Amadou-Mahtar M’Bow compared cultural colonial objects to ‘witnesses to history’. Their treatment is one of the most debated questions of our time. Calls for a novel international cultural order go back to decolonization. However, for decades, the issue has been treated as a matter of comity or been reduced to a Shakespearean dilemma: to return or not to return. This book seeks to go beyond these classic dichotomies. It argues that contemporary practices are at a tipping point. It shows that cultural takings were material to the colonial project throughout different periods (early takings, birth of modern nation state, nineteenth-century scramble for objects) and went far beyond looting. It relies on micro histories and object biographies to trace recurring justifications and contestations of takings and returns, and the complicity of anthropology, racial science, and professional networks in colonial collecting. It demonstrates the dual role of law and cultural heritage regulation in enabling colonial injustices, and mobilizing resistance thereto. It challenges the argument that takings were acceptable according to the standards of the time. Drawing on the interplay between justice, ethics, and human rights, it develops a theory of entanglement to rethink contemporary approaches. It shows that future engagement requires a reinvention of knowledge systems and relations towards objects, including new forms of consent, provenance research, partnership and a rethinking of the role of museums themselves. It proposes principles of relational cultural justice to confront ongoing historic, legal, and economic entanglements and enable normative transformation. Show less
Universities and their teachers are more than ever required to (re)design their courses considering online environments. Although face-to-face teaching remains fundamental, exploring online... Show moreUniversities and their teachers are more than ever required to (re)design their courses considering online environments. Although face-to-face teaching remains fundamental, exploring online alternatives is becoming increasingly necessary. Still, how can university teacher designers proceed with such a change in their courses? What is the most effective way to design an online course? How can university teacher designers attract the attention of students and make teaching interesting and compelling? Evidence-Based Blended and Online Learning: Course Design for University Teachers answers these questions. It provides a thorough evidence-based overview of each step required to make an effective course redesign.The book is aimed at teachers and, more significantly, teacher designers committed to redesigning their courses based on solid principles. The book’s design approach makes it much easier to translate the results of educational research on applying blended learning in educational practice.Jan Nedermeijer has worked as an educational expert for several universities and as a senior expert for PUM Netherlands in several countries. The book synthesises the results of the numerous course- and curriculum-development projects he has conducted over many years. His approach can help university teachers implement IT in feasible, practical and interesting ways.Evidence-Based Blended and Online Learning gives lecturers tailor-made pedagogical suggestions for designing modern higher education. Course design tasks are re-described, using features from technical design, problem solving, and design thinking, where creative design has a unique and essential role. Show less
Korsten, F.W.A.; Leemans, I.; Haven, C. van der; Vanhaesebrouck, K. 2023
This Element describes the development of an affective economy of violence in the early modern Dutch Republic through the circulation of images. The Element outlines that while violence became more... Show moreThis Element describes the development of an affective economy of violence in the early modern Dutch Republic through the circulation of images. The Element outlines that while violence became more controlled in the course of the 17th century, with fewer public executions for instance, the realm of cultural representation was filled with violent imagery: from prints, atlases and paintings, through theatres and public spectacles, to peep boxes. It shows how emotions were evoked, exploited, and controlled in this affective economy of violence based on desires, interests and exploitation. This title is also available as Open Access on Cambridge Core. Show less
