This project focuses on the political manifestations that can be found in the Argentinean film productions made after the dictatorship, since 1983 until nowadays. The proposed path relates the... Show moreThis project focuses on the political manifestations that can be found in the Argentinean film productions made after the dictatorship, since 1983 until nowadays. The proposed path relates the works with their socio-political, historical and cultural context, and allows the understanding of the transformations of the links (both ethic and aesthetic) between the filmed world and its referents This tesis posits that the memory of the violence that took place in this country during the 70s imprinted a significant mark in the articulation of discursive worlds as well as in any Argentine artistic production. It also considers the memory as a practice that acts in the Argentine collective imaginary, incorporating more extended historical periods that, in terms of causes and consequences, precede the last dictatorship and extend themselves into the present. Thus, the notion of memory is the focus that links the past events with every specific present, and, simultaneously, it is the hermeneutical frame of a research based on a corpus formed by diverse expressive genres. The specific systems of representation of those political events, whose impact manifested itself in the accounted period, are analyzed. We analyze the (fictional and documentary) film figurations of the myths and narrations of the peronismo (a contradictory political movement) and the ways of social irruption revealed in a climate of popular revolt that accompanied profound economical and institutional-political crisis at the dawning of this century. Show less
This study surveys the theory about 'Christendom' developed by the Anglican theologian Oliver O'Donovan. The author defines 'Christendom' as a state of affairs in which the Christian faith in one... Show moreThis study surveys the theory about 'Christendom' developed by the Anglican theologian Oliver O'Donovan. The author defines 'Christendom' as a state of affairs in which the Christian faith in one way or another gives public direction to society and/or politics. The investigation is positioned within the present debate about the role of religion in Dutch society. The Anglo-Saxon Christendom debate illustrates that the discussions about the societal role of religion should not deny the theological dimension to this question. The Christendom debate of our time has been for the most part initiated by two American theologians, John Howard Yoder and Stanley Hauerwas. They take a critical view of Christendom. Besides this option there are four other positions in the Christendom debate: the Christian faith as civil religion, the liberal vision, the theocratic approach, and confessional or principled pluralism. A comparison between them and O'Donovan's theory shows out that the latter has the potential to unite what usually only exists in mutual tension and to open up a fruitful continuation of the 'Christendom' debate as well as the discussions about the role of religion in society. Show less
The ISIM roundtable Veiled Politics (30 October 2003) aimed at rethinking the politics of veiling practices in the Islamic world and in Europe. The roundtable included presentations by Annelies... Show moreThe ISIM roundtable Veiled Politics (30 October 2003) aimed at rethinking the politics of veiling practices in the Islamic world and in Europe. The roundtable included presentations by Annelies Moors (ISIM), Linda Herrera (Population Council, Cairo), Saba Mahmood (University of California, Berkeley and ISIM Visiting Fellow), and Mayanthi Fernando (University o f Chicago). The convenor was Vazira Fazila-Yacoobali (ISIM). Show less
The author first traces the successive approaches to African chieftaincy in the course of the 20th century, contrasting the dualistic and the transactionalist models. He then examines the thesis... Show moreThe author first traces the successive approaches to African chieftaincy in the course of the 20th century, contrasting the dualistic and the transactionalist models. He then examines the thesis of the resilient chief by considering a case from western central Zambia. He shows that the power base of local chiefs and their room for manouvring is weakening and that the chiefs are experimenting with new strategies in order to survive. They are driven into the arms of new actors on the local scene, against whom they are rather defenceless. One such new actor is an ethnic voluntary organization, the Kazanga Cultural Association. This NGO has been amazingly successful in bridging indigenous politics and the State in a process of ethnicization. Gradually, the revival of chieftainship which this NGO has brought about, is turning out to lead not to resilience but to impotent folklorization. Chiefs who are unable to link their symbolic capital - their ceremonial functions - to the experimental worlds of the urbanites, find themselves locked into a position of declining significance. Show less
