Persistent URL of this record https://hdl.handle.net/1887/3657088
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- Conclusion
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- Bibliography
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- Summary in Dutch and English
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- Acknowledgements_Curriculum Vitae
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- Propositions
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Joodse muziek en joods muzikaal denken
The Tanakh, Mishnah and Talmud, provide much information about music and musical thinking in general and culture and liturgy in particular. Answers are given to what Jewish music is not, but from what is meant by Jewish music clear answers are missing.
In this dissertation, the focus is on seeking and finding answers to synagogue music—the hazzanut—from which all Jewish music originates. Attention is given to how the construction and use of synagogue organs and synagogue organ music indirectly answer what Jews may mean by Jewish music.
My research demonstrates that we can only speak of Jewish musics. The term musics is used as a collective term for musical expressions within one culture and/or within the diversity of cultures in Judaism.
In the Haskalah period, all questions concerning Jewish...Show moreThe theme of this dissertation, Jewish music and Jewish musical thinking, suggests a specific Jewish way of thinking about music that cannot be separated from cult and religion.
The Tanakh, Mishnah and Talmud, provide much information about music and musical thinking in general and culture and liturgy in particular. Answers are given to what Jewish music is not, but from what is meant by Jewish music clear answers are missing.
In this dissertation, the focus is on seeking and finding answers to synagogue music—the hazzanut—from which all Jewish music originates. Attention is given to how the construction and use of synagogue organs and synagogue organ music indirectly answer what Jews may mean by Jewish music.
My research demonstrates that we can only speak of Jewish musics. The term musics is used as a collective term for musical expressions within one culture and/or within the diversity of cultures in Judaism.
In the Haskalah period, all questions concerning Jewish music merge. The result is a fierce debate about the subject of music and a fiery search for consensus on the views on Jewish music, which is reflected, among other things, in polemic articles about 'die Orgelfrage'.
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- All authors
- Driel, J.P. van
- Supervisor
- Borgdorff, H.A.
- Co-supervisor
- Meer, W. van der
- Committee
- Bor, J.; Cramsey, S.A.; Groot, R. de; Peters, P.; Ruiter, F.C.M. de
- Qualification
- Doctor (dr.)
- Awarding Institution
- Academy of Creative and Performing Arts (ACPA) , Faculty of Humanities , Leiden University
- Date
- 2023-11-15