The Canonization of the Artisan Around 1900

Storm, H.J. (2022)

Part of book or chapter of book

Around 1900 the artisan became a national symbol throughout Europe. While the peasant had been lionized ever since the Romantic era, the craft guilds were denigrated as remnants of feudalism. This changed with the Arts and Crafts movement. Towards the end of the nineteenth century, the artisan began to appear as a representative of the nation at international exhibitions, which focused increasingly on vernacular arts and traditions. In this way, craft products became a part of the national heritage, while artisans were cherished as sources of national authenticity. In the early twentieth century, traditional crafts were increasingly appreciated by artists, collectors and consumers, and many of their most extraordinary products were seen as embodying the nation’s Volksgeist or folk-spirit.

• Artisan
• National symbol
• Europe
• Belle Epoque
• Interwar Era

• All authors: Storm, H.J.
• Editor(s): Brolsma, M.; Drace-Francis, A.; Lajosi-Moore, K.; Maessen, E.; Rensen, M.; Rock, J.; Rodríguez Perez, Y.; Snel, G.
• Date: 2022-06-22
• Title of host publication: Networks, narratives and nations: transcultural approaches to cultural nationalism in Europe and beyond
• Pages: 137 - 147
• ISBN (print): 9789463720755
• DOI: doi:10.1515/9789048553266
• Link: https://www.degruyter.com/document/doi/10.1515/9789048553266/html?lang=en