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Revolutionary reenactment: militant futures past in Rania and Raed Rafei’s 74 (the reconstitution of a struggle)
This article analyses how innovative narrative techniques operate in the movie 74 (The Reconstitution of a Struggle) by Rania and Raed Rafei (2012). The film is a reenactment of an historical event: the student occupation of the American University of Beirut one year before the start of the Lebanese civil war. The use of improvised reenactment, testimonials and the voiceover all strengthen the film’s approach to the event as an embodied transformative experience, even as it descends into its defeat. While a cynical spectator might argue that the focus on “revolutionary becoming” reduces collective action to individual experience, the article argues that it is precisely this affective and embodied approach that allows the film to resonate with other times and places and to evoke a speculative state of agitation beyond closed narratives of defeat.
Cet article analyse les techniques narratives innovatrices utilisées dans le film «74 (La reconstitution d’une lutte)» de Rania et...
Show moreThis article analyses how innovative narrative techniques operate in the movie 74 (The Reconstitution of a Struggle) by Rania and Raed Rafei (2012). The film is a reenactment of an historical event: the student occupation of the American University of Beirut one year before the start of the Lebanese civil war. The use of improvised reenactment, testimonials and the voiceover all strengthen the film’s approach to the event as an embodied transformative experience, even as it descends into its defeat. While a cynical spectator might argue that the focus on “revolutionary becoming” reduces collective action to individual experience, the article argues that it is precisely this affective and embodied approach that allows the film to resonate with other times and places and to evoke a speculative state of agitation beyond closed narratives of defeat.
Cet article analyse les techniques narratives innovatrices utilisées dans le film «74 (La reconstitution d’une lutte)» de Rania et Raed Rafei (2012). Le film présente, comme son nom l’indique, une reconstitution d’un événement historique: l’occupation de l’Université Américaine à Beyrouth, par le mouvement étudiant, un an avant le début de la guerre civile libanaise. L’utilisation de reconstitutions improvisées, de témoignages offerts face à la camera, et de voice-over, renforcent la démarche du film envers l’événement en tant qu’expérience incarnée transformatrice, même lorsqu’il dégénère vers sa défaite. S’il est vrai qu’un spectateur cynique pourrait soutenir que « le devenir révolutionnaire » réduit la lutte collective à l’expérience individuelle, cet article soutient que c’est précisément cette approche affective et incarnée qui permet au film de résonner en d’autres temps et lieux, ainsi que d’évoquer un état d’agitation spéculatif au-delà des récits cloisonnés de la défaite.
Show less- All authors
- Naeff, J.A.
- Date
- 2022-03-31
- Volume
- 27
- Pages
- 19 - 36
Funding
- Sponsorship
- NWO
- Grant number
- I.Veni.191C.002