Longinus, On the Sublime 12.4-5: Demosthenes and Cicero

Jonge, C.C. de; Nijk, A.A.

doi:doi:10.1163/1568525X-12342532

This article discusses the critical comparison (σύγκρισις) of the styles of Demosthenes
and Cicero in Longinus, On the Sublime 12.4-5. Many readers have claimed that Longinus
here presents Demosthenes and Cicero as two different models of the sublime. A detailed
analysis of the passage, however, reveals that while the two are both credited
with grandeur (μέγεθος), they are in fact not treated on a par with respect to sublimity
(ὕψος). While the style of Demosthenes is described with keywords of Longinus’ conception
of the sublime (ὕψος), Cicero’s style is consistently associated with the quality
of diffusion (χύσις), which is closely associated with amplification (αὔξησις). Longinus’
discussion of Cicero may have pleased the Roman readers in his audience, as he is
presented as a canonical author of ‘great’ literature. We argue,...Show moreThis article discusses the critical comparison (σύγκρισις) of the styles of Demosthenes
and Cicero in Longinus, On the Sublime 12.4-5. Many readers have claimed that Longinus
here presents Demosthenes and Cicero as two different models of the sublime. A detailed
analysis of the passage, however, reveals that while the two are both credited
with grandeur (μέγεθος), they are in fact not treated on a par with respect to sublimity
(ὕψος). While the style of Demosthenes is described with keywords of Longinus’ conception
of the sublime (ὕψος), Cicero’s style is consistently associated with the quality
of diffusion (χύσις), which is closely associated with amplification (αὔξησις). Longinus’
discussion of Cicero may have pleased the Roman readers in his audience, as he is
presented as a canonical author of ‘great’ literature. We argue, however, that in the end,
Longinus reserves the status of sublimity for his heroes of classical Greece.
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Longinus, On the Sublime 12.4-5: Demosthenes and Cicero