Dissonant entanglements and creative redistributions

Naeff, J.A.; Ree, A. van; Sipkes, L.; Strava, C.; Tromp, K.; Westmoreland, M.R. (2020)

Part of book or chapter of book

This study aims to better understand how international cultural funding shapes opportunities for organizations to grow as generators of creativity able to provide transformative experiences for local audiences. It analyzes the experiences of four cases located in the Middle East and North Africa region, namely L’Atelier de l’Observatoire (Morocco), Clown Me In (Lebanon), Bantmag (Turkey), and Volunteer Palestine (West Bank). Although the Prince Claus Fund, Hivos, and European Cultural Foundation (ECF) have sought alternatives to the neoliberal instrumentalization of their funding measured according to the rubrics of impact, our research shows that organizations still struggle with the need to appeal to international funding bodies while also focusing on their work as embedded in local conditions.

• Impact
• Instrumentalization
• Entanglements
• Affect
• Cosmopolitanism

• All authors: Naeff, J.A.; Ree, A. van; Sipkes, L.; Strava, C.; Tromp, K.; Westmoreland, M.R.
• Editor(s): Kuoni, C.; Baltà Portolés, J.; Khan, N.N.; Moses, S.
• Date: 2020-12-31
• Title of host publication: Forces of Art: Perspectives from a Changing World
• Pages: 71 - 96
• ISBN (print): 9789492095893
• ISBN (electronic): 9789492095992
• Link: https://forces-of-art.org/book