Aldrovandi, truthfully drawing naturalia, and local context

Abstract

This essay focuses on the 16th-century Bolognese naturalist and collector Ulisse Aldrovandi (1522-1605) and his enormous image collection of naturalia. Do these images present a specifically Bolognese form of visual natural science, and was his visual format of truthfulness new at the time? Did local visual culture leave clear marks on Aldrovandi’s image collection?

Natural HistoryAldrovandiPaintersBolognaArt HistoryVisual History