Middlebrow Modernism in Film (Theory): Visconti's Senso (1954) vis-à-vis Diamant-Berger's La madone des sleepings (1955)

Author(s):
Verstraten, P.W.J. (0000-0003-3348-4817)
Published
2015
Publication type
Article / Letter to editor
Date issued
2015-06-22
Language
English
Is part of
hdl
1887/3200378