Dutch Drama and the Company's Orient

Abstract

In the seventeenth and eighteenth centuries, three Dutch playwrights who are not known to have ventured beyond the precincts of Europe dramatized historical events which occurred in Asia. The episodes which became the plots for their plays were either contemporaneous or occurred very close to their own times. This study analyses these plays, namely Joost van den Vondel’s Zungchin (1667), Frans van Steenwyk’s Thamas Koelikan (1745) and Onno Zwier van Haren’s Agon (1769). It studies the information networks which made these literary endeavours possible and evaluates the role played by the Dutch East India Company (VOC) in transferring information about these historical events from Asia to the Dutch Republic. This study also appraises how Asia was represented in these plays and how these characterizations were influenced by its channels of information transfer. This study concludes that these plays revolved around the idea of transfer and the information that the playwrights used originated in the archives of the VOC. This information consequently featured in popular printed works in the Republic which provided the playwrights with the necessary fodder for their plays. This study argues that the striking feature of this transcontinental passage of information was the metamorphosis of Oriental imagery

Dutch dramaDutch East India Companyinformation transferRepresentation